Book of Odes · Mao witness · 國風周南第一

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Original source spelling · punctuation belongs to the digital witness · pronunciation tools follow your language focus.

關雎 · 1 · Received interpretive preface491 characters
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READING NOTE · r136Structure / Predication

詩者、志之所之也。在心為志,發言為詩。

Poetry is where intention goes: held in the heart it is intention; expressed in speech it is poetry.

zimai · AI-assisted editorial notes · Editorial pilot · not independently reviewed · CC BY-SA 4.0

A route through this passage

491 Han characters · 181 distinct forms · 90 units separated by the witness’s punctuation

  1. Establish the frame. Read the surrounding chapter. Who speaks, what is being discussed, and which earlier words supply the context?
  2. Test one unit. 《關雎》、后妃之德也、《風》之始也, Mark a possible predicate and its participants. Record what you have supplied rather than found explicitly in the text.
  3. Reconstruct the argument. Connect the units in your own words. Where does a description, question, contrast, or consequence depend on your interpretation?
Investigate 8 written forms in this passage

Matched by spelling. These are candidate reading procedures, not assigned grammatical analyses.

Watch recurrence: 之 × 48 也 × 17 風 × 17 以 × 16 故 × 10 者 × 8. Repetition of a graph need not mean repetition of a sense.

Computed from this exact witness · 1 contextual editorial excerpt also available. The guide is a set of reading prompts, not a translation. Sources & methods

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The received preface, not the poem's verse.

zimai editorial draft · not independently reviewed. Applies to 詩者、志之所之也。在心為志,發言為詩。.

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關雎Received interpretive preface

This is transmitted interpretation accompanying a poem. Its claims are separate from the wording of the verse.

Read this beside…

Each connection states its purpose. Comparisons are editorial learning aids; shared wording alone does not prove influence.

Argument contrastA theory of music beside the received preface

Xunzi connects music with human enjoyment; the received Great Preface describes feeling becoming sound. The comparison is between two explanatory prose layers. It must not be labeled as a direct statement made by every Shijing poem.

Follow a connection

Shared teaching construction · an editorial learning connection, not evidence of common authorship or origin.

論語 · Separate the topic from the comment夫子至於是邦也論語 · Distinguish doing, being, and acting for禮之用,和為貴論語 · Distinguish doing, being, and acting for為政以德論語 · Focus on what an action concerns七十而從心所欲,不踰矩
Edition, source, and reuse
Work
詩經 · Book of Odes · Mao witness
Attribution
Anonymous poems transmitted in the Mao tradition, with received prefaces and ancillary prose; individual attribution is uncertain.
Digital witness
Kanseki Repository · KR1c0001 · base edition tls
Contributors
Kanseki Repository (Kanripo) contributors; upstream base-edition labels retained in each original file.
Source position
KR1c0001_001.txt, lines 14–116.
Version
9d36bf3a055b7aba01597f0c0581838ef56dc497
Reuse
CC BY-SA 4.0. Text extraction and teaching additions share this licence.
Text policy
Source spelling and punctuation retained. Encoding headers, page markers, paragraph markers, whitespace, and leading section numbers are removed from the reading view. No silent script conversion or textual correction.
Teaching
zimai · AI-assisted editorial notes. English renderings are excerpt-level reading aids, not a full published translation. Editorial pilot · not independently reviewed.
Exact source lines ↗ · Original UTF-8 file · Passage + annotation data

Source-file SHA-256: b4661ada4d6a9e806c32fc8f314085b7b4ee7d4250f140d7fdf538ddbb97f806. A source comment that cites a translator is an upstream reference, not the attribution of a translation imported here.