{"id":"shijing-005-0002","work":"shijing","chapter":"shijing-005","chapterTitle":"國風衛風第五","chapterNumber":5,"ordinal":2,"text":"瞻彼淇奧，綠竹猗猗。有匪君子，如切如磋，如琢如磨。瑟兮僩兮！赫兮咺兮！有匪君子，終不可諼兮！","sectionTitle":"淇奧","sectionNumber":55,"layerMethod":"Conservative structural labels from visible title and chapter-count formulas; not a critical classification of every line.","lines":["瞻彼淇奧，","綠竹猗猗。","有匪君子，","如切如磋，","如琢如磨。","瑟兮僩兮！","赫兮咺兮！","有匪君子，","終不可諼兮！"],"layer":"verse-or-text","source":{"repository":"https://github.com/kanripo/KR1c0001","commit":"9d36bf3a055b7aba01597f0c0581838ef56dc497","file":"KR1c0001_005.txt","lineStart":23,"lineEnd":31,"fileSha256":"aaf1aa9ddedcd9b0fc9fd97efdaca3f288691dca4f4c7331c8763ed9fc25bed1","edition":"tls","sourceLabels":[],"sourceUrl":"https://github.com/kanripo/KR1c0001/blob/9d36bf3a055b7aba01597f0c0581838ef56dc497/KR1c0001_005.txt#L23-L31","rawUrl":"/data/classical-0.12.0/sources/KR1c0001/KR1c0001_005.txt","author":"Anonymous poems transmitted in the Mao tradition, with received prefaces and ancillary prose; individual attribution is uncertain.","contributor":"Kanseki Repository (Kanripo) contributors; upstream base-edition labels retained in each original file.","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/"},"route":"/classical/passage/shijing-005-0002/","notes":[{"id":"r138","passage":"shijing-005-0002","quote":"如切如磋，如琢如磨","focus":"如","start":15,"end":24,"focusStart":15,"topics":["comparison","parallel"],"translation":"As if cut and filed, as if carved and polished.","note":"Four craft actions stand in parallel comparisons describing the admired figure. The verse does not itself name a teaching method; that application can be studied through later quotations, including the Analects. Keeping the source image and its reuse distinct makes the connection more informative.","question":"What stays constant while the craft verbs change?","answer":"The repeated comparative 如 and the characterization of the admired figure.","attribution":{"author":"zimai · AI-assisted editorial notes","status":"Editorial pilot · not independently reviewed","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","revision":"0.12.0"}}],"previous":"shijing-005-0001","next":"shijing-005-0003","nearby":[{"id":"shijing-005-0001","ordinal":1,"text":"《淇奧》、美武公之德也。有文章，又能聽其規諫，以禮自防，故能入相于周，美而作是詩也。","annotated":false},{"id":"shijing-005-0002","ordinal":2,"text":"瞻彼淇奧，綠竹猗猗。有匪君子，如切如磋，如琢如磨。瑟兮僩兮！赫兮咺兮！有匪君子，終不可諼兮！","annotated":true},{"id":"shijing-005-0003","ordinal":3,"text":"瞻彼淇奧，綠竹青青。有匪君子，充耳琇瑩，會弁如星。瑟兮僩兮！赫兮咺兮！有匪君子，終不可諼兮！","annotated":false},{"id":"shijing-005-0004","ordinal":4,"text":"瞻彼淇奧，綠竹如簀。有匪君子，如金如錫，如圭如璧。寬兮綽兮！猗重較兮！善戲謔兮，不為虐兮！《淇奧》三章，","annotated":false},{"id":"shijing-005-0005","ordinal":5,"text":"章九句。","annotated":false},{"id":"shijing-005-0006","ordinal":6,"text":"《考槃》、刺莊公也。不能繼先公之業，使賢者退而窮處。","annotated":false},{"id":"shijing-005-0007","ordinal":7,"text":"考槃在澗，碩人之寬。獨寐寤言，永矢弗諼！","annotated":false},{"id":"shijing-005-0008","ordinal":8,"text":"考槃在阿，碩人之薖。獨寐寤歌，永矢弗過！","annotated":false},{"id":"shijing-005-0009","ordinal":9,"text":"考槃在陸，碩人之軸。獨寐寤宿，永矢弗告！《考槃》三章，章四句。","annotated":false}],"related":[{"id":"lunyu-001-0004","workTitle":"論語","text":"巧言令色，鮮矣仁","reason":"Let parallel clauses constrain a reading"},{"id":"lunyu-001-0012","workTitle":"論語","text":"父在，觀其志；父沒，觀其行","reason":"Let parallel clauses constrain a reading"},{"id":"lunyu-001-0016","workTitle":"論語","text":"未若貧而樂道，富而好禮者也","reason":"Identify a comparison and its standard"},{"id":"lunyu-002-0003","workTitle":"論語","text":"道之以政，齊之以刑","reason":"Let parallel clauses constrain a reading"}],"knowledge":[],"connections":[{"id":"craft-verse-becomes-a-reading-lesson","title":"The Analects quotes the craft simile","label":"Explicit textual citation","reason":"The Analects explicitly introduces the cutting-and-polishing lines as words from the Poems. In the dialogue the quotation becomes evidence of the learner’s ability to extend a prompt. The Shijing stanza first characterizes an admired figure; the later use is an interpretive event of its own."}],"phraseConnections":[{"phrase":"如切如磋","id":"lunyu-001-0017","route":"/classical/passage/lunyu-001-0017/","workTitle":"論語","chapterTitle":"學而篇第一","text":"子貢曰：「《詩》云：『如切如磋，如琢如磨。』其斯之謂與？」子曰：「賜也，始可與言《詩》已矣，告諸往而知來者。」","cross":true,"frequency":2},{"phrase":"如琢如磨","id":"xunzi-027-0093","route":"/classical/passage/xunzi-027-0093/","workTitle":"荀子","chapterTitle":"大略篇第二十七","text":"玉之於琢磨也。《詩》曰：「如切如瑳，如琢如磨。」謂學問也。和氏之璧、井里之厥也，玉人琢之，為天下寶。子贛、季路，故鄙人也，被文學","cross":true,"frequency":3},{"phrase":"瞻彼淇奧","id":"shijing-005-0003","route":"/classical/passage/shijing-005-0003/","workTitle":"詩經","chapterTitle":"淇奧","text":"瞻彼淇奧，綠竹青青。有匪君子，充耳琇瑩，會弁如星。瑟兮僩兮！赫兮咺兮！有匪君子，終不可諼兮！","cross":false,"frequency":2}],"studyRecord":{"route":"/classical/passage/shijing-005-0002/","text":"瞻彼淇奧，綠竹猗猗。有匪君子，如切如磋，如琢如磨。瑟兮僩兮！赫兮咺兮！有匪君子，終不可諼兮！","kind":"passage","script":"Hant","definitions":["如切如磋，如琢如磨 — As if cut and filed, as if carved and polished."],"mandarin":"","cantonese":[],"characters":[],"edition":"詩經 · 國風衛風第五 · 2","dataset":"Kanseki Repository · KR1c0001","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","sourceUrl":"https://github.com/kanripo/KR1c0001/blob/9d36bf3a055b7aba01597f0c0581838ef56dc497/KR1c0001_005.txt#L23-L31","source":{"line":23,"recordSha256":"d7924d7cb50f4782fd370a4c404501de2aeef7184850ad49d43ffaf18bea254a"},"classical":{"author":"Anonymous poems transmitted in the Mao tradition, with received prefaces and ancillary prose; individual attribution is uncertain.","contributor":"Kanseki Repository (Kanripo) contributors; upstream base-edition labels retained in each original file.","source":{"repository":"https://github.com/kanripo/KR1c0001","commit":"9d36bf3a055b7aba01597f0c0581838ef56dc497","file":"KR1c0001_005.txt","lineStart":23,"lineEnd":31,"fileSha256":"aaf1aa9ddedcd9b0fc9fd97efdaca3f288691dca4f4c7331c8763ed9fc25bed1","edition":"tls","sourceLabels":[],"sourceUrl":"https://github.com/kanripo/KR1c0001/blob/9d36bf3a055b7aba01597f0c0581838ef56dc497/KR1c0001_005.txt#L23-L31","rawUrl":"/data/classical-0.12.0/sources/KR1c0001/KR1c0001_005.txt","author":"Anonymous poems transmitted in the Mao tradition, with received prefaces and ancillary prose; individual attribution is uncertain.","contributor":"Kanseki Repository (Kanripo) contributors; upstream base-edition labels retained in each original file.","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/"},"notes":[{"id":"r138","passage":"shijing-005-0002","quote":"如切如磋，如琢如磨","focus":"如","start":15,"end":24,"focusStart":15,"topics":["comparison","parallel"],"translation":"As if cut and filed, as if carved and polished.","note":"Four craft actions stand in parallel comparisons describing the admired figure. The verse does not itself name a teaching method; that application can be studied through later quotations, including the Analects. Keeping the source image and its reuse distinct makes the connection more informative.","question":"What stays constant while the craft verbs change?","answer":"The repeated comparative 如 and the characterization of the admired figure.","attribution":{"author":"zimai · AI-assisted editorial notes","status":"Editorial pilot · not independently reviewed","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","revision":"0.12.0"}}],"editorial":{"author":"zimai · AI-assisted editorial notes","status":"Editorial pilot · not independently reviewed","license":"CC BY-SA 4.0","licenseUrl":"https://creativecommons.org/licenses/by-sa/4.0/","revision":"0.12.0"},"interpretationScope":"English is provided only for the quoted teaching excerpt; source passage remains unchanged."}}}